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The Town (2010)

  • Writer: Jess and Sam
    Jess and Sam
  • Aug 8, 2020
  • 2 min read

A longtime thief, planning his next job, tries to balance his feelings for a bank manager connected to an earlier heist, and a hell-bent F.B.I Agent looking to bring him and his crew down.

Sam’s Review

A modern day Western. The Town takes us deep into a crime-ridden part of Boston, introducing us to a four-man crew of bandits, robbing a bank. It's gritty, tense and the masks they use are brilliantly disturbing. Affleck, who directs, co-writes and stars as lead bandit, Doug MacRay, has gotten a lot of stick for being a bad actor. Occasionally accused of being bland or lacking emotional depth. While clearly his talent lies in writing/directing, I also feel that his acting is unjustly criticised. Though his range may be limited, he still holds up well. The occasional open-mouth stare is balanced by a compassionate plea for love. However, it's Jeremy Renner's portrayal of Jem (or is it Jim..?) which steals the show. Garnering an Oscar nomination, his performance is biting and raw, and there's an uncaring ferociousness lurking never too deep.

They don't delve into the characters enough. Specifically James 'Jem' Coughlin. Born into an impoverished family, it's clear that he is troubled. And a little depth could've changed the character from unhinged to sympathetic. Jem's history, doing a 9 year  'pinch', and the intriguing reasons why, are undervalued. Even his complex brotherhood with Doug isn't explored enough, except for a few throwaway lines. Yet, in the grand scheme, it's a small critique. 

There are others. A couple of subplots that seem to die off. The tattoo, for example. It doesn't affect the film in any great way, though adds a gripping scene, but it feels like a wasted set up. The original cut was around 2 hours 50 minutes, and Affleck edited it down to 2 hours 8 minutes to meet the studios requirements. When each minute counts, it's a shame to squander them on something that doesn't affect the outcome. 

The criminal element is where the film shines. The slick, fast-paced car chases. The calm, but cold moments someone is matter-of-factly explaining a hideous crime. Affleck manages to capture a gritty reality that so many attempt to, but often comes across contrived. The outlaw chemistry among the crew of Doug, Jem, Desmond (Owen Burke) and Gloansy (Slaine) is fascinating. They're criminals, clearly, and bad people, but they're also products of their environment and are trying to get by. They fondly raise a glass to Doug’s father, honouring his 40 year prison sentence, speaking in revered tones as if he's a war hero. It's a subtle glance into the code of honour among thieves.

Upon reflection of this review, I realise that I criticise The Town a lot. Though it has its flaws, and can come close to cliche at times, it’s a brilliant film. The script is excellent, and blends authentic dialogue with an intriguing plot. Paired with the fantastic acting by a well put together ensemble cast, it’s gripping. Affleck, later going on to win an Oscar for Best Picture with Argo (2012), threw his name into the ring for the new-wave of promising directors.


Well-written, well-acted, The Town is a fast paced heist film that has you rooting for the bad guys.

8/10

 
 
 

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© by Jess Stevens and Sam Collins.

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